Martin Scorsese directs the story of New York stockbroker Jordan Belfort. From the American dream to corporate greed, Belfort goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s. Excess success and affluence in his early twenties as founder of the brokerage firm Stratton Oakmont warranted Belfort the title “The Wolf of Wall Street.”
Journalist Jep Gambardella (the dazzling Toni Servillo, Il divo and Gomorrah) has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city’s literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.
The 2014 Future Filmmaker’s Film Festival will be held at The Picture House on SUNDAY, APRIL 27TH 2:30 – 5:30.
Submissions need to be submitted by April 4th. The County is fully on board to support us once again.
Criteria is: 1. Three submissions per school. (We will take more if we have room, but that will be decided after April 1st.) 2. No longer than 10 minutes 3. Original work that is rated PG; narrative, drama, comedy, documentary 4. No traditional music videos please
This year will are using Without A Box which is an online submission process. Please click the button below and upload your film – directions will be provided on how to do this by Without a Box when you sign in.
You are not your job. You are not how much you have in the bank. You are not the contents of your wallet. You are not your khakis. You are not a beautiful and unique snowflake. What happens first is you can’t sleep. What happens then is there’s a gun in your mouth. And what happens next is you meet Tyler Durden. Let me tell you about Tyler. He had a plan. In Tyler we trusted. Tyler says the things you own, end up owning you. It’s only after you’ve lost everything that you’re free to do anything. Fight Club represents that kind of freedom. First rule of Fight Club: You do not talk about Fight Club. Second rule of Fight Club: You do not talk about Fight Club. Tyler says self-improvement is masturbation. Tyler says self-destruction might be the answer.
Ryota (Masaharu Fukuyama) is a successful Tokyo architect who works long hours to provide for his wife, Midori (Machiko Ono) and six-year-old son, Keita. But when a blood test reveals Keita and another baby were switched at birth, two very different families are thrown together and forced to make a difficult decision while Ryota confronts his own issues of responsibility and what it means to be a father. LIKE FATHER, LIKE SON extends the Japanese cinema tradition of familial exploration to deliver a gentle and moving story of personal redemption that playfully navigates its way through the drama.
A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that’s as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving’s unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down. Like David O. Russell’s previous films, American Hustle defies genre, hinging on raw emotion and life and death stakes.
After the kingdom of Arendelle is cast into eternal winter by the powerful Snow Queen Elsa (voice of Idina Menzel), her sprightly sister Anna (Kristen Bell) teams up with a rough-hewn mountaineer named Kristoff (Jonathan Groff) and his trusty reindeer Sven to break the icy spell. Chris Buck and Jennifer Lee co-directed this Walt Disney Animation Studios production based on Hans Christian Andersen‘s beloved fairy tale The Snow Queen.
It’s Oscar Time and we have our first annual Oscar picks contest underway.
Fill out the Oscar Ballot below (or download from here) and email it to OscarPicks@ThePictureHouse.org or drop it off at the theater with your email on it. If you have the most correct you will be entered into a drawing to win free Membership as well as free popcorn and soda every visit to The Picture House for the rest of 2014!
The story of how Walt Disney courted P.L. Travers into letting him option the rights to Mary Poppins is brought to the screen in this non-fiction drama starring Tom Hanks, Emma Thompson, and Colin Farrell. A doting father, Walt Disney (Hanks) promises his adoring daughters that he will bring their favorite fictional nanny Mary Poppins to the big screen. Little does Walt realize that surly author P.L. Travers has no intention of seeing her most famous creation bastardized for moviegoers, a fact that makes keeping his promise a difficult endeavor. Years later, however, when Travers‘ book sales begin to slow, dwindling finances drive her to schedule a meeting with Disney to discuss the film rights to the beloved story. For two weeks in 1961, a determined Disney does his absolute best to convince Travers that the film version of Mary Poppins will be a wondrous and respectful adaptation, meanwhile the author only grows more convinced that she has made the right move in preventing the proposed film adaptation. Later, just when it begins to appear that the rights to Mary Poppins have slipped through his fingers, the ingenious Disney reflects back on his childhood, and realizes that a sensitive chapter from Travers‘ youth could be the key to clinching the deal. Bradley Whitford, Paul Giamatti, and Jason Schwartzman co-star