As the Third Reich continues its reign of terror, Adolf Hitler is on a quest for the legendary Ark os the Covenenant- resting place of the Ten Commandments- whose supernatural powers, legend says, can wipe out entire armies. The U.S. Government turns to Dr. Indiana Jones, for the mission. Relentlessly pursued by Hitler’s henchmen, Indy infiltrartes their massive digging operation in a race against time to discover the Well od the Souls, where the Ark has lain undisturbed for centuries.
Sunday March 30th, 4:00pm
The Galapagos Affair: Satan Came to Eden
Post Screening Q&A with Filmmakers and Directors Dan Geller & Dayna Goldfine
This is a Members Free event! Great time to become a member.
For over twenty years, Emmy-award winning directors/producers Dan Geller and Dayna Goldfine have jointly created critically-acclaimed, multi-character documentary narratives that braid their characters’ individual personal stories to form a larger portrait of the human experience. Their most recent film is THE GALAPAGOS AFFAIR: SATAN CAME TO EDEN (2014). Their work includes the award-winning SOMETHING VENTURED (2011), which premiered at SXSW, went on to play at festivals internationally, and was broadcast nationwide on PBS; BALLETS RUSSES (2005) which was recognized as one of the top five documentaries of 2005 by both the National Society of Film Critics and the National Board of Review and appeared on a dozen critical “10 Best Films” lists, including those of Time Magazine, the Los Angeles Times, The Hollywood Reporter, the San Francisco Chronicle and Slate; NOW AND THEN: FROM FROSH TO SENIORS, which premiered theatrically in October 1999 and aired on PBS in October 2000 as the lead program of the Independent Lens series; KIDS OF SURVIVAL: THE ART AND LIFE OF TIM ROLLINS + K.O.S. (1996), a feature-length documentary about the South Bronx-based art group Tim Rollins & K.O.S., which aired on Cinemax in September 1998 and was the recipient of two national Emmy Awards; FROSH: NINE MONTHS IN A FRESHMAN DORM (1994); and, the award-winning ISADORA DUNCAN: MOVEMENT FROM THE SOUL (1988).
Darwin meets Hitchcock in this true-crime tale of paradise found and lost. The Galapagos Affair: Satan Came To Eden is a fascinating documentary portrait of a 1930s murder mystery as strange and alluring as the famous archipelago itself. Fleeing conventional society, a Berlin doctor and his mistress start a new life on uninhabited Floreana Island. But after the international press sensationalizes the exploits of the Galapagos’ “Adam and Eve”, others flock there—including a self-styled Swiss Family Robinson and a gun-toting Viennese Baroness and her two lovers. Things would never be the same.
To bring this extraordinary story to life, filmmakers Dayna Goldfine and Dan Geller (Ballets Russes) nimbly interweave newly unearthed home movies of these original settlers; testimonies of modern day islanders; stunning HD footage of native flora and fauna; and powerful voice performances by Oscar® winner Cate Blanchett, Diane Kruger, Connie Nielsen, Sebastian Koch, Thomas Kretschmann, Gustaf Skarsgård and Josh Radnor. Macabre yet inspiring, The Galapagos Affair is a gripping parable of Robinson Crusoe adventure and utopian dreams gone awry.
- TELLURIDE FILM FESTIVAL 2013
- HAMPTONS INTERNATIONAL FILM FESTIVAL 2013
- BERLIN INTERNATIONAL FILM FESTIVAL 2014
THE GALAPAGOS AFFAIR: SATAN CAME TO EDEN will open theatrically in the US on April 4, 2014.
14-year-old Laura Dekker sets out-camera in hand-on a two-year voyage in pursuit of her dream to be the youngest person ever to sail around the world alone. In the wake of a year-long battle with Dutch authorities that sparked a global storm of media scrutiny, Laura now finds herself far from land, family and unwanted attention, exploring the world in search of freedom, adventure, and distant dreams of her early youth at sea. Jillian Schlesinger’s debut feature amplifies Laura’s brave, defiant voice through a mix of Laura’s own video and voice recordings at sea and intimate vérité footage from locations including the Galapagos Islands, French Polynesia, Australia, and South Africa.
Friday 6:30pm. 9:00pm
Saturday 1:30pm, 3:30pm, 5:30pm, 7:30pm, 9:30pm
Sunday 1:30pm, 3:30pm, 5:30pm, 7:30pm
Monday 6:00pm, 8:00pm
Tuesday 2:30pm, 6:00pm, 8:00pm
Wednesday- Plays in main hall at 8:30pm – Buy tickets for Main Hall here
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Crunch Calhoun (Kurt Russell), a third rate motorcycle daredevil and semi-reformed art thief, agrees to get back into the con game and pull off one final lucrative art theft with his untrustworthy brother, Nicky (Matt Dillon). Reassembling the old team, Crunch comes up with a plan to steal a priceless historical book, but the successful heist leads to another far riskier plan devised by Nicky. They fail to realize each other’s separate agendas when their plan goes awry in this con comedy about honor, revenge and the bonds of brotherhood.
Q&A discussion moderated by renowned author and critic Lawrence Weschler
This is a Members Free Event. Please call to become a member at 738-3161 or click here to become a member. (tickets are available for non-members to buy)
ABOUT THE FILM
THE TRIALS OF MUHAMMAD ALI explores Ali’s lifelong journey of spiritual transformation. From his Louisville roots, through his years in exile, to receiving the Presidential Medal of Freedom, the film traces Ali’s path from poet to pariah to global ambassador for peace. At each stage, the challenges Ali faces go far beyond the boxing ring and ultimately encompass issues of power, race, faith and identity that confront us all. THE TRIALS OF MUHAMMAD ALI is not a boxing film and has no highlight reel. Instead, it focuses on Ali’s toughest bouts: his decision to join a controversial religious group, his battle to overturn a five-year prison sentence for refusing US military service, and his struggle with Parkinson’s disease.
While other Ali films focus on his heroic exploits in the ring, they tragically under-examine some of the most noteworthy, provocative and resonant aspects of Ali’s life, such as his relationship with the Louisville Sponsoring Group, the Nation of Islam, and his Muslim faith. Most of the interviewees have never been featured in any Ali film before, yet are central to his life story and the global impact he has made. Prior to becoming the most recognizable face on earth, Cassius Clay became Muhammad Ali and found himself in the crosshairs of conflicts concerning race, religion, and wartime dissent. In 1964, when the 22-year-old, Olympic gold medalist wins his first heavyweight championship, he shouts, “I shook up the world!” But his earthshaking has only begun. Soon he announces he is a Muslim, a member of the Nation of Islam, and takes a new name: Muhammad Ali. After Ali is drafted to fight in the Vietnam War, he makes his defining expression of resistance: “No, I will not go 10,000 miles to continue the domination of white slave masters over the darker people of the earth.”
In 1967, after the US government denies Ali’s conscientious objector claim, he refuses military induction. The government convicts Ali of draft evasion, sentences him to five years in prison, and revokes his passport. Ali is banned from boxing and stripped of his title. He begins life in exile within the U.S., vilified in many corners at home, while becoming an international symbol of opposition to unjust war. As Ali files legal appeals round after round, all the way to the Supreme Court, he supports his family via a nationwide speaking tour, amidst a country divided over the war abroad and racism at home. Rare and riveting archival footage of Ali’s fiery speeches on college campuses and fierce exchanges during TV appearances, show him fearlessly speaking his mind as he fights for freedom.
THE TRIALS OF MUHAMMAD ALI delves deeply into a time when an emerging sports superhero chooses faith and conscience over fame and fortune. The fury he faced from an American public enraged by his opposition to the Vietnam War and unwilling to accept his conversion to Islam, has global implications for generations now coming of age amidst con temporary fissures involving freedom, faith and military conflict. Archival scenes highlight the life forces who support and oppose him, including his spiritual mentors, Malcolm X and Elijah Muhammad, and critics of his stance, such as Jackie Robinson and Joe Louis. Interviews shot exclusively for the film feature those who were there: his brother, Rahman; his bride, Khalilah Camacho-Ali; New York Times writer, Robert Lipsyte; and Nation of Islam leader, Louis Farrakhan. What emerges is the hidden history of Muhammad Ali.
“Why another film on Muhammad Ali? Because no Ali film has deeply explored his exile years, his spiritual transformation and his impact on the world beyond the ring. This is an intimate film weaving artful and unseen archival footage, with contemporary interviews from firsthand sources, resulting in an intense, focused narrative with hard-hitting relevance. THE TRIALS OF MUHAMMAD ALI uses percussive sounds of the speed bag and heavy bag to drive and punctuate the story. It has tensions involving faith, race, duty, and identity. And when you personalize those tensions through the humanity of Muhammad Ali, it gives them depth and definition in ways that resonate now. Ultimately, it is a story that has at least as much to say about our society and how Ali’s principles continue to challenge us as it does about his own transformation. In many ways, he stayed true to his beliefs and identity while the country changed around him.”
Martin Scorsese directs the story of New York stockbroker Jordan Belfort. From the American dream to corporate greed, Belfort goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s. Excess success and affluence in his early twenties as founder of the brokerage firm Stratton Oakmont warranted Belfort the title “The Wolf of Wall Street.”
Ryota (Masaharu Fukuyama) is a successful Tokyo architect who works long hours to provide for his wife, Midori (Machiko Ono) and six-year-old son, Keita. But when a blood test reveals Keita and another baby were switched at birth, two very different families are thrown together and forced to make a difficult decision while Ryota confronts his own issues of responsibility and what it means to be a father. LIKE FATHER, LIKE SON extends the Japanese cinema tradition of familial exploration to deliver a gentle and moving story of personal redemption that playfully navigates its way through the drama.
A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that’s as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving’s unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down. Like David O. Russell’s previous films, American Hustle defies genre, hinging on raw emotion and life and death stakes.